Reflections / Things to Do on the Real Shoot
- Synchronise the beginning of the sequence to the music
- Film everything for longer, especially the cutaways at the beginning to help create a slower continuity sequence
- Film the pans steadily (so they can be slowed down in editing)
- Shot of Dawn looking at the dawn outside window
- Signifiers of what caused the struggle / death throughout sequence (moved furniture/stain/wine or broken glass on the floor)
- Remake music so that it fits (start from beginning after the bass)
We have changed our storyboard, shot list and props list to compensate for the longer shots and the altered setting (messier to signify a fight)
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